TRANSFER STUDENT is a science fiction Freaky-Friday romance/adventure about two normal teenagers struggling to survive high school and deal with their parents… typical rites of passage. The twist? One teen is an alien from the planet Retha. In a galactic teleporting experiment gone wrong, Ashley, a Beverly Hills High surfing fashionista, and Rhoe, the biggest geek on planet Retha, swap lives. Only by surviving life as their biggest nightmare do Ashley & Rhoe discover their dreams. How far would you go for someone you love?
WIN TRANSFER STUDENT BOOKMARKS SIGNED BY AUTHOR LAURA A. H. ELLIOTT!
To enter to win all you need to do is tweet this & follow my blog Laurasmagicday: Nothing says #ValentinesDay like an alien #romance! TRANSFER STUDENT Cover Reveal! #TransferStudent #teenreads #kindle http://laurasmagicday.wordpress.com/
The first 100 tweets/followers win!
TRANSFER STUDENT BLOG TOUR: LEAP DAY, 2012 – MARCH 20th
Giveaways include free ebooks of TRANSFER STUDENT, Amazon gift cards & weekly surprise gifts that are out of this world! TRANSFER STUDENT RELEASE DAY: MARCH 20th
For all of you who plan on self-publishing in 2012, I’ve put out this helpful guide.
This short, pictorial guide uses screenshots to show you how to convert your Word documents to Kindle and Nook formats using free and donationware programs. The step-by-step instructions are easy to follow and nearly foolproof. No knowledge of HTML is necessary. With this guide, your book can look as good as a pro’s. And it only costs 99 cents.
Christmas came early for me this year and I am happy to report that the Zellie Wells trilogy has new e-book covers. The paperback covers will remain the same.
Getting Sideways: Book 2 in the Full Throttle Series
Getting shipped off to live with his uncle Race was the best thing that ever happened to fifteen-year-old Cody. Then a wreck at the speedway nearly ruined everything. Cody’s making every effort to get his life back on track—writing for the school paper, searching for the perfect girlfriend, and counting the days until he gets his drivers’ license—but there’s no escaping the nightmares that haunt him.
A chance to build his own car seems like the perfect distraction. Until Cody realizes he’ll have to live up to Race’s legendary status. But that’s the least of his worries, considering he doesn’t have his dad’s permission. All he has to do is the impossible: keep Race from discovering his lie until he can convince his dad that racing’s safe.
Haven’t read the first book? Running Wide Open is on sale now for 99 cents.
Running Wide Open: Book 1 in the Full Throttle Series
Cody Everett has a temper as hot as the flashpoint of racing fuel, and it’s landed him at his uncle’s trailer, a last-chance home before military school. But how can he take the guy seriously when he calls himself Race, eats Twinkies for breakfast, and pals around with rednecks who drive in circles every Saturday night?
What Cody doesn’t expect is for the arrangement to work. Or for Race to become the friend and mentor he’s been looking for all his life. But just as Cody begins to settle in and get a handle on his supercharged temper, a crisis sends his life spinning out of control. Everything he’s come to care about is threatened, and he has to choose between falling back on his old, familiar anger or stepping up to prove his loyalty to the only person he’s ever dared to trust.
Praise for Running Wide Open:
“It doesn’t matter if you are a racing fan or not, Running Wide Open will captivate you and capture your heart.” – Cari J, Amazon reviewer
“The roar of engines practically explodes off the page in this compelling, heart-thumping debut. Cody Everett is a straight-shooter with attitude, smarts, and whip-cracking wit; he doesn’t pull any punches, and neither does author Lisa Nowak. The collision of Cody and the world of stock car racing makes for a great story, one of the best I’ve read in a long time. Running Wide Open is a book not to be missed.” – Christine Fletcher, author of Tallulah Falls and Ten Cents a Dance
“The racing is easy to understand and does not get in the way of a rattling good story. I still couldn’t put it down on a re-read.” – Elisabeth Miles, Amazon reviewer
“We race stock cars during the summer and even though this is a recommended read for Young Adults, we are seniors and enjoyed every page. We can hardly wait for the sequel to come out. MUST READING!” – Maxci Jermann, Barnes and Noble reviewer
“I say read this book, it’s fun, it’s beautiful, it’s a very cool read that will give you a feel-good state of mind. Awesome read.” – L.E.Olteano, Butterfly-o-meter Books
In addition to being a YA author, Lisa Nowak is a retired amateur stock car racer, an accomplished cat whisperer, and a professional smartass. She writes coming-of-age books about kids in hard luck situations who learn to appreciate their own value after finding mentors who love them for who they are. She enjoys dark chocolate and stout beer and constantly works toward employing wei wu wei in her life, all the while realizing that the struggle itself is an oxymoron.
Lisa has no spare time, but if she did she’d use it to tend to her expansive perennial garden, watch medical dramas, take long walks after dark, and teach her cats to play poker. For those of you who might be wondering, she is not, and has never been, a diaper-wearing astronaut. She lives in Milwaukie, Oregon, with her husband, four feline companions, and two giant sequoias.
I’m in a strange mood today – we’ve just come back from a trip to the mountains and as we got lower in elevation and the more the snow melted away, the weirder I felt. Like our vacation didn’t happen. Also, I’ve been eating nothing but sweets for three days.
I felt like writing something about reviews and when I logged on to Twitter this morning, I saw this tweet from The Story Siren:
“sending me an email lecturing me for not reading/accepting self pubbed books, makes me want to read them even less.”
Let’s talk about etiquette.
Most of the book bloggers that write thoughtful reviews and don’t trash or over enthusiastically praise (in other words, the ones you want to read your book) have a review policy. Take the time to read it, folks. If they say they don’t read self-pubbed books and you are the author of a self-pubbed book, don’t query them for a review. If they say they don’t read e-books, don’t send them a PDF and complain that you’re too poor to send them a hard copy. Follow the rules.
Your book will not be the one to change their mind. People have to come to things in their own time and the best way to slow down that process is tell them that they’re wrong about something and need to change to suit you. Move on to the next book blogger, there are literally hundreds of them. The indie book collective has lists by genre of book bloggers that read self-pubbed and accept e-copies. That’s a great place to start.
I can’t state this next bit enough – if you receive a bad review, don’t engage the reviewer. This applies to both book bloggers and customer reviews on Amazon, Barnes and Noble, iBooks, etc. If the review is inflammatory or doesn’t say anything critical about the actual book (I’ve just received a one-star review on Glimpse that only said, “how many pages are in this book?”) then you can ask Amazon or Barnes and Noble to remove it. Otherwise, just let it be.
Readers are smart enough to make their own decisions about whether or not they want to read a book. They will read the good and bad reviews and come to their own conclusions. Rest assured, some people will love your book and some people will think it’s awful.
The work you have to do on yourself as a writer is to get to the point where you don’t care about either. Not all good reviews are going to be, uh, good. Sometimes they’re three word, exclamation point-ridden silliness. Sometimes they say: OMG!! Luv it!! Not all bad reviews are going to be bad. Reviewers that give you low end stars, but write a thoughtful review outlining what they didn’t like about the book – these reviews are not a detriment. Also, I find that most of the time these reviewers will include a line or two about how your book was “not their cup of tea.” Fair enough.
I’m not going to pretend that I had a thick skin about reviews when I first started out, I definitely did not. I do now, because I’ve realized that while reviews are important for getting your name out there and attracting people to take a look at your book, they’re not that important otherwise. No need to stay up at night worrying about them. The people that like your book and review it positively will stick around to read your others, the people that don’t like your book and review it negatively will move on to someone else.
Our job is to entertain the people that want to read our books and to not waste time trying to win over the rest.
It’s been a windy and rainy day here in the Pacific Northwest, so that must mean it’s nearly Thanksgiving.
An appropriate tune:
I hope each and every one of you have a wonderful holiday no matter where you are or who you’re with. Enjoy some turkey, tofurkey or that second piece of pumpkin pie, I won’t tell.
I know I should try to, that’s part of the reason I join anthologies like Death by Chocolate or writing challenges like ROW80, to have people hold me accountable, to get my butt in the chair day after day and put some words down.
But, some days, I’m just not in the mood. On those occasions, here’s what I do to get myself motivated or to, at the very least, keep my head in the game.
1. Music – Dissent, the 5th Day of Sacrifice story, is stuck at about 1,200 words right now. I haven’t worked on it in weeks because I’ve been writing my anthology story and because I don’t know what I want to happen next. This is a story I need to have out by the first of the year, so yesterday in order to get my brain thinking about it, I listened to my DoS playlist in the car while I was driving everyone to work and school. It’s amazing how music can get you in the right frame of mind when you associate it with writing a similar story or a previous story in this case. I had Halo and Bleeding Love on repeat all day. Just thinking about my characters in a video montage sort of way (does anyone else do that or am I a weirdo?) I jump started my enthusiasm for the series and came up with ideas for the end of the scene I’ve been stalled on.
2. Sexy New Ideas notebook – Again, I may be a weirdo, but I never have more new ideas for other stories than when I’m trying to complete the one I’m supposed to be focused on. I combat this by keeping an Idea Notebook. If I can get the idea down on paper, my mind can let it go. It’s like a promise to myself that I will come back to it later. Of course, there are always more ideas than there is time to write them, but I’ve also found that sometimes the ideas can be combined together – genre mixing at its finest!
3. More than one project – I’ve tried only working on one story at a time. It’s not my style. I find that if I have multiple projects to work on – I usually have 3-4 going at once – and can add a new paragraph to one that is not my main focus, that it does two things: Like with the SNI’s I can get nagging conversations, scenes and descriptions out of my head and it gives me a confidence boost. Nothing makes me feel better about myself than writing does, so it stands to reason that if I’m feeling crappy and distracted with my main WIP, getting some words down on something else I’m working on makes me feel like I’ve done something, made some progress in my own little world.
4. Read/watch TV – Sometimes when I’m supposed to be writing, doing either of these things can feel decadent and like I’m wasting time. Really, though, they can help – if you stay on genre. I have a particularly hard time writing action/fight scenes – with the Zellie books, I often turned to reading the Vampire Academy books and to watching teen shows like Roswell, The Nine Lives of Chloe King and Kyle XY – books and TV shows that are aimed at the same audience as the Zellie books are and contain both a paranormal romance aspect and a lot of action. With the DoS stories, I can’t tell you how much Supernatural and Nikita have helped me come up with ideas for both characters and new ways to write fights. So, yes, I’m being entertained and slacking off a bit, but I’m also consciously studying the ways other writers do what I’m trying to do.
What sort of things do you do to get in the mood to write?
Today we’ve got a great new post from Cidney Swanson, our newest PacNWYA author!
Take it away, Cidney!!
I recently had the privilege of joining Women’s Night Out, a book club that meets monthly in Eugene, Oregon. The group had chosen my novel RIPPLER for their October read. Of course I felt honored and happy to know I’d be gaining over a dozen new readers! I’d like to share a few of the things I learned from this experience as well as some ideas I have for making myself available to other groups.
After I recovered from the initial surprise that a group of moms would be interested in choosing my book, I had a few things I needed to do. Because my book wasn’t being carried locally, I had to make sure the book group leader could easily communicate where to buy a copy. In this day and age, you are likely to find a mix of those who want paper copies and those who prefer an e-version, so make sure you send links for all of these possibilities.
Next, I discovered the group wanted a set of discussion questions. And they wanted them ahead of time. This is something you want to spend some time on, if you’re interested in book groups. I found the idea incredibly intimidating, even though I’ve taught college-level courses and had to come up with discuss-able questions for books I’d assigned. But this was my book. How the heck was I supposed to know what to ask? I found myself literally too close to be able to do this without some outside help.
Fortunately, I found some help. You know those books on your shelf right now—the ones with “discussion questions included” stamped across the cover? I searched through a few and discovered the inspiration for a very long list of possible discussion questions. Looking at the questions posed for someone else’s book gave me the distance I needed from my own book.
Alternatively, you could simply ask questions of the group that you really wonder about as the author. That is, instead of asking discussion questions, you could ask feedback-oriented questions. Which leads me to: the FAN factor.
Doing a book group is a great way to acquire a set of fans!
One of the things that happened spontaneously at the actual meeting was that the readers wanted to know if I had any questions for them. (I.e., feedback questions) I wish I had thought of these ahead of time as I really couldn’t think on my feet with fifteen faces turned my way! So do spend a little time thinking here as well.
Here are some things I did not do this time (probably as a result of deer-in-the-headlights syndrome) that I will definitely do next time.
1) Offer to sign books. (Duh, I know!)
2) Pass around a sign-up sheet to add emails to my New Releases Email List.
3) Offer a discount-code for the next-in-series.
4) Encourage guests to post reviews on merchant sites. (Amazon, etc.)
5) Offer to do interviews, giveaways, or guest posting for any of the guests who have book blogs.
6) Offer to return and/or ask the guests to let their moms, friends, and so on in other book groups know I’m available for future engagements.
Wow, that list is embarrassingly long. Hopefully it will help you to be better prepared than I was!
Lastly, I want to leave you with a few suggestions for finding book groups.
First start with people you already know. Who do you see on regular basis that you know participates in a book group? Are you a member of a group who might be willing to let you “try out” your book as a book-of-the-month pick? Do you have kids who participate in a book club?
If you don’t have any of these resources, you’ll need to search farther a-field.
Check library bulletin boards for book groups that you might approach by
email. Create a landing page they can visit that describes what you have
to offer to a book group. See my page here.
If you have a FAQ section on your website, be sure to include “Do you have
discussion questions for your book?” as a FAQ, and then provide a list.
This lets potential book groups know you are prepared for them!
Using whatever social media you already use and enjoy, put the word out that you are available. Again, direct people who read your tweets, facebook page posts, and so on to visit your landing page to learn more about hosting you
(and your book) at their next event.
If you are doing an event like a book-signing or school presentation or if you
have a table at a conference, be sure to have a flyer that indicates you
are available for book groups.
And what about out-of-town engagements? Where do you regularly travel? Does your mom or mother-in-law belong to a book group? Let them know you’d be honored to visit them the next time you’re in town.
Speaking for myself, I’m hooked and I can’t wait to visit another book club! There’s simply no better feeling than being in a room full of people who’ve read your book. (At my event, there were several who knew parts of it better than I did!)
Best Wishes to you, and please let me know about your ideas and successes!
Here’s a link to some free software that will allow your computer to read Word documents out loud to you. Very cool, very useful in editing. It works with PCs, and while there is a Mac version available, a friend has told me that the free version is limited. However, I’ve also been told Mac has it’s own tool for reading a document out loud.
I’ve been using this program a lot lately, both to catch typos and missing words, and to check for overall smoothness in my writing. I can’t begin to say how helpful it’s been.
You can also adjust the voice from male to female. From the Start menu go to “settings” then “control panel.” Double click the “speech” icon. In the box that opens, choose the “text to speech” tab. There will be a choice of at least two voices, one male and one female. Choose the one you like and adjust the speed.
That’s it. Now you can play around with your new toy.
I thought you all might enjoy reading about some of the topics we cover in the Rain Boots Required YA Author Tour, so I’m putting my talk about Voice and Believable Dialogue into blog form. We’d like to divide our blog posts three ways – some author talk, some reader talk and some young/new writer talk.
Before I get started on that, though, I’d like to issue an apology. We didn’t have cards at Wordstock and I wrote our web address down on my card for a lot of people. I realized last night that I probably put PacNWYA.wordpress.com on about half of them. That would be our Twitter handle. Ugh. Not trying to mislead anyone, my brain was just plain fried from spending the weekend at Wordstock. Forgive me! And, hopefully you found us with a minimum amount of Googling.
On to the good stuff…
For tween and teen writers, getting into the mindset to write adult characters is just as difficult as it is for me (Stacey Wallace Benefiel) to get into the mindset of a teenager.
Okay, I might have a slight advantage because I’ve been a teenager, but that was, like, twenty years ago.
A lot of things have changed.
When I was sixteen we didn’t have cell phones or the internet or Facebook. I wrote all my stories on an electric typewriter. No e-mail! No digital cameras!
Most importantly, not much YA to choose from. I believe there were twelve YA novels and three of them were V.C. Andrews books.
Yes, it was totally boring and I can’t remember what we did with our time. Probably, we threw rocks at stuff.
So, I’ve developed a few tricks I use to find my YA voice and write believable teen dialogue. I think these tips work well for young writers to use when writing adult characters too.
1. I read. A lot. When I find a YA novel that is written in a style I enjoy, as a writing exercise I copy that style using my own dialogue. Through the process of writing dialogue, copying paragraph structure, learning how someone else writes description, my YA voice emerges.
2. I watch YA TV and listen to how the characters speak. The Secret Circle, TVD, The Lying Game, the Nine Lives of Chloe King, Separated at Birth. My DVR is filled with CW and ABC Family shows. TV as homework, how cool is that?
3. I listen to those around me. Thanks to the Beaverton Civic Theatre, I have the chance to teach and direct young adults in Children’s Theatre once a year. I’ve picked up a lot of insight from simply being around the teens in those plays.
This is even easier for teens, as they’re around adults more often than I get to be around teenagers. Listen to your parents and teachers speaking to each other. How is it different from the way you and your friends talk to one another?
4. I give each character a type of music that fits them. Zellie, the protagonist in my YA trilogy is a 16-year-old pastor’s kid. She gets Taylor Swift. Whenever I hear a Tay Swift song, I think of Zellie and find that she comes to me easily.
Her BFF Claire is a little cooler. She likes Pink. Zellie’s parents, Paul and Grace are Stones and Cyndi Lauper fans, respectively.
I use these tips to find my YA voice and I think they’d be helpful in finding the voice of any character that isn’t a lot like you.
Now, when I get to the editing stage, I have a few more guidelines that I follow to make sure that my intentions and my dialogue are believable and age appropriate. (When I’m talking to teens, I list the inverse of these rules.)
1. Swearing, drinking/drug use and sex are statements. All of these rites of passage have to have a real and valid reason behind them.
2. Slang is allowed to run rampant. YA’s have their own language, made up words and phrases used amongst friends. Honor that.
3. Love/infatuation/lust are all the same thing.
4. The characters are allowed to make stupid, obvious mistakes. That’s how a person learns. Rarely do teenage characters choose the best path first, they haven’t discovered what it is yet. Trial and error.
Thanks for reading! I’d love to hear your thoughts on YA voice in the comments.
